A cinematic phenomenon so close to my heart. This is mainly because Chanteloup is a cheaply built piece of s brutalism, grafted on to the French countryside. Like nearly all of the most notorious French banlieues, it has the queasy artificiality of a science-fiction set.
And the youths express hatred with violence. They sleep in a shopping mall and wake to a news broadcast informing them that Abdel is dead.
In one of its blackest years, it seemed both to capture the mood of the country and turn it into great art This was why, on a bright and sunny Wednesday morning in March, I found myself in the market place of Chanteloup-les-Vignes, drinking mint tea and chomping on a Moroccan doughnut called a sfenj.
La Haine The first time I saw the movie inwe was gonna watch it for school. The quietest, most thoughtful and wisest of the three, he sadly contemplates the ghetto and the hate around him.
It punches you in the face with its sheer, raw intensity. The film has a very strong anti-police message a point which Kassovitz himself admitted - unpopularly - at the Cannes film festivalwith some pretty graphic scenes of police brutality and provocation.
I put on the TV and all the scenes reminded me off the best movie ever made in Europe, and the best on the subject Sign in to vote. In the early 20th century the banlieues were a source of pride to the working class, who were often glad to have been evacuated there from the slums of the city centre.
La Haine does not offer solutions to all the racism but in fact, shows you in a detailed and mature manner. Vinz has to prepare because he is scared.
La Haine Photos View All Photos 3 Movie Info While to most outsiders Paris seems the very picture of beauty and civility, France has had a long and unfortunate history of intolerance toward outsiders, and this powerful drama from filmmaker Mathieu Kassovitz takes an unblinking look at a racially diverse group of young people trapped in the Parisian economic and social underclass.
His attitude towards police, for instance, is a simplified, stylized blanket condemnation, even to individual policemen who make an effort to steer the trio clear of troublesome situations. He has no idea who to trust.
If your Dutch try to get hold of the 7 euro Freerecord shop version, but I can recommend the English 10 year anniversary more The film was an immediate and massive hit and galvanised the part of France that knew the banlieues existed but had never seen them up close or dealt with in a sympathetic way.
A youth named Abdel had been caught and beaten by the police and is now in critical condition. He reveals that he managed to purloin a loaded gun during the riot. They all shrugged with indifference. And then, when you arrive, it all starts to feel a bit weird. He has a longing to escape. The three go through an aimless daily routine and struggle to entertain themselves, frequently finding themselves under police scrutiny.
La Haine mixes ethnics to emphasise the overriding importance of solidarity against the police. The three young men spend the evening in Paris, killing time and generally making a nuisance.
Early in the morning, the trio returns to the banlieue and split up to their separate homes, and Vinz turns the gun over to Hubert. The fracture sociale, the problem of social exclusion, was and remains one of the great political problems of modern day France.
Vinz is the angriest central character, but when he had his chance, he hesitates; consequences are not forgotten. When the film premiered at the Cannes film festival — where it was a huge critical success — the police on duty turned their backs on Kassovitz and his crew, perceiving the film as an anti-police polemic.
It can be no surprise when things flare up once in a while.The film was called La Haine (Hate) and was the story of three young men in one of the wretched housing projects outside Paris, commonly referred to as la banlieue. That film is La Haine, only the second major film of the young actor-turned-director, Mathieur Kassovitz.
Kassovitz was rewarded with the Best Director award at the Cannes Film Festival in.
Oct 14, · My review of the French Drama, La Haine Score - 5/5. In “La Haine,” the characters get to where they want to go, but the grass is not greener on the other side of the tracks. Half of the film is set in the suburbs and the other half is set in.
Gook review – LA’s answer to La Haine 4 / 5 stars 4 out of 5 stars. Justin Chon’s remarkable film centres on an unlikely friendship in the tense racial climate of early 90s Los Angeles.
Reminiscent of Costas-Gavras' film Z with its rapid-fire dialogue and staccato rhythms, La Haine (Hate) directed by 28 year-old Mathieu Kassovitz, is a passionate look at .Download